The Wire: Difference between revisions

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''"I'm doing this play called 'God is Vengeance'."''
''"I'm doing this play called 'God of Vengeance'."''


'''The Wire''' is a program Joe Frank produced as part of the series [[The Other Side (Series)|The Other Side]]. It was originally broadcast on March 26, [[:Category:2000|2000]].
'''The Wire''' is a program Joe Frank produced as part of the series [[The Other Side (Series)|The Other Side]]. It was originally broadcast on March 26, [[:Category:2000|2000]].


== Synopsis ==
== Synopsis ==
Joe tells a number of stories from his childhood.  Some of them have
to be fictional.  I think they all are.
Larry tells us he's in Seattle acting in <i>God of vengeance</i>, a
play written by Donald Margulies
<ref>https://en.m.wikipedia.org/wiki/Donald_Margulies</ref>, an
adaptation of Sholem
Asch's<ref>https://en.m.wikipedia.org/wiki/Sholem_Asch</ref> play of
the same
name.<ref>http://www.filmreference.com/film/55/Larry-Block.html has
only this entry, 'Reb Eli, God of Vengeance, Adams Memorial Theater,
Williamstown, MA, 2002', which was after 'The wire'.  I figure it's
incomplete.</ref> Larry summarizes the play.
7:10: Joe tells us his family used to summer-vacation in
Amenia<ref>https://en.wikipedia.org/wiki/Amenia_(town)%2C_New_York</ref>.
The neighbors bred chinchillas.  One died, they buried it, Joe's dog
dug it up; his parents thought their dog had killed it, so they
cleaned it up and put it back.
9:10: Joe remembers when he spilled auto battery acid onto his pants.
9:40: Joe tells story of his childhood, which includes his sister
Naomi and his crude grandfather, including when he pushed a piano off
the roof of the apartment building.
12:00: Joe remembers a bully holding his face against a subway
grating.  Joe smacked the bully's trumpet into his teeth.
13:40: Joe remembers a dog stealing his sandwich.
14:10: Joe, 8, remembers a girl from a wealthy family visiting Joe at
his home.  She vomits when she sees Joe's father cutting up a bloody
piece of stewing beef.  The experience makes them closer.
16:30: Joe remembers attending junior congregation when he was 11 or
12.  Because the cantor had such a powerful voice, it was said that it
could break glass.  Joe brought a window pane, broke it during his
performance, cutting his hand.<ref>Joe says the janitor, a gentile,
had to help him because the Jews couldn't break the sabbath.  I'm not
Jewish, but I think this is wrong, that in matters that threaten death
or serious injury the rule doesn't apply - so I've read.</ref>
19:50: Joe tells of stealing a ribbon of magnesium from the science
lab, to burn it in the park.  They replace it with a beef lung.
22:50: Jack Kornfield reads a poem of Rumi about a man with a jealous
wife and beautiful maid servant, as an illustration of the difference
between fear and love.  He points out the problem grasping causes.  He
tells the story of the old Zen master and the thief.
30:20: Larry tells about Lorin
Hollander<ref>https://en.wikipedia.org/wiki/Lorin_Hollander</ref>;
Larry claims he was a friend of Hollander's older sister, grew up in
the same neighborhood.  Hollander's playing a concert.<ref>Larry calls
it a Gershwin symphony; it was his Concerto in F</ref>.  Larry
attends, meets him afterwards.  Hollander is nice to him, but Larry
wonders if he really remembers him.
40:10: Joe got a job in the garment district when he was 13 working
for a friend of his father.  Nora got a job at the same time, fell in
love with the boss, Sol, because of his knowledge of Restoration
poetry.  Joe sees them making love.
42:40: Joe remembers 'the year of beatniks'<ref>1955?  Joe says he was
16.</ref> He would hang out at cafés, trying to be hip. He
remembers listening to Lawrence Ferlinghetti and Ted Joans
<ref>https://en.wikipedia.org/wiki/Ted_Joans</ref>.  One night, at the
Café Noir, a pimp sets him up with a 'housewife' from Morris county,
New Jersey.  They park next to the Staten Island ferry; she gropes
him.
46:00: Joe remembers being 19, in Santa Barbara; he's borrowed his
boss's car.  He set the seat on fire by lighting a match to find some
marijuana he'd hidden under it.  He says it's the '60s.<ref>Joe was
born in 1938, thus 19 in 1957/1958.</ref> The seat was destroyed; Joe
replaced them with folding bridge chairs taped to the floor.
48:40: Kornfield tells about his teaching partner Joseph
Goldstein.<ref>https://en.wikipedia.org/wiki/Joseph_Goldstein_(writer)</ref>
He tells about Goldstein's mother visiting Goldstein in the monastery
in India, how much she liked the simplicity of it.  This leads into
more slanging of grasping.  He talks about the different kinds of
giving.  He quotes Epictetus, 'Never suppress a generous impulse.'
57:00: Larry tells of walking along the beach, thought of writing Karl
Wallenda's, 'The wire is life; the rest is waiting.', on a piece of
drift wood.  As an actor, he's on-stage 2 hours at a time; the rest is
waiting.  Then he decided against it, that it'd be litter.
<div class="toccolours mw-collapsible mw-collapsed" style="width:100%; overflow:auto;">
<div style="font-weight:bold;line-height:1.6;">Legacy Synopsis</div>
<div class="mw-collapsible-content">
*[[Larry Block]] describes a new play in which a brothel owner reforms and buys a hand written Torah and his daughter runs off with a prostitute.
*[[Larry Block]] describes a new play in which a brothel owner reforms and buys a hand written Torah and his daughter runs off with a prostitute.
*Monologue of Joe's random memories part one:
*Monologue of Joe's random memories part one:
Line 44: Line 139:
*Kornfield: a middle class woman from the Catskills visits her son in a monastery in India, different kinds of giving.
*Kornfield: a middle class woman from the Catskills visits her son in a monastery in India, different kinds of giving.
*Larry talks about leaving a note on the beach.
*Larry talks about leaving a note on the beach.
</div></div>


== Music ==  
== Music ==  
{{Love Like a Fountain - Stereo MC's Mix (Ian Brown)}} [6:47]
{{Love Like a Fountain - Stereo MC's Mix (Ian Brown)}} [6:47]
== Credits ==
'You've been listening to Joe Frank "The other side" created in
collaboration with David Rapkin, with Larry Block, Buddhist teacher
Jack Kornfield, and Joe Frank; edited by Scott Fritz; mixed by Bob
Carlson'


== Additional credits ==  
== Additional credits ==  
Line 52: Line 157:
* Edited by Scott Fritz
* Edited by Scott Fritz
* Mixed by [[Bob Carlson]]
* Mixed by [[Bob Carlson]]
== Commentary ==
This is the only time I've heard of Ted Joans[[User:Arthur Peabody|Arthur Peabody]] ([[User talk:Arthur Peabody|talk]]) 22:18, 11 January 2022 (EST)
== Footnotes ==


[[Category:Karma_Style]]
[[Category:Karma_Style]]

Revision as of 20:18, 11 January 2022

The Wire[1]
Series
The Other Side
Original Broadcast Date
March 26, 2000
Cast
Larry Block, Jack Kornfield, Joe Frank
Format
Karma Style, 60 minutes
Preceded by: Zen
Followed by: The Nature Of Things

"I'm doing this play called 'God of Vengeance'."

The Wire is a program Joe Frank produced as part of the series The Other Side. It was originally broadcast on March 26, 2000.

Synopsis

Joe tells a number of stories from his childhood. Some of them have to be fictional. I think they all are.

Larry tells us he's in Seattle acting in God of vengeance, a play written by Donald Margulies [1], an adaptation of Sholem Asch's[2] play of the same name.[3] Larry summarizes the play.

7:10: Joe tells us his family used to summer-vacation in Amenia[4]. The neighbors bred chinchillas. One died, they buried it, Joe's dog dug it up; his parents thought their dog had killed it, so they cleaned it up and put it back.

9:10: Joe remembers when he spilled auto battery acid onto his pants.

9:40: Joe tells story of his childhood, which includes his sister Naomi and his crude grandfather, including when he pushed a piano off the roof of the apartment building.

12:00: Joe remembers a bully holding his face against a subway grating. Joe smacked the bully's trumpet into his teeth.

13:40: Joe remembers a dog stealing his sandwich.

14:10: Joe, 8, remembers a girl from a wealthy family visiting Joe at his home. She vomits when she sees Joe's father cutting up a bloody piece of stewing beef. The experience makes them closer.

16:30: Joe remembers attending junior congregation when he was 11 or 12. Because the cantor had such a powerful voice, it was said that it could break glass. Joe brought a window pane, broke it during his performance, cutting his hand.[5]

19:50: Joe tells of stealing a ribbon of magnesium from the science lab, to burn it in the park. They replace it with a beef lung.

22:50: Jack Kornfield reads a poem of Rumi about a man with a jealous wife and beautiful maid servant, as an illustration of the difference between fear and love. He points out the problem grasping causes. He tells the story of the old Zen master and the thief.

30:20: Larry tells about Lorin Hollander[6]; Larry claims he was a friend of Hollander's older sister, grew up in the same neighborhood. Hollander's playing a concert.[7]. Larry attends, meets him afterwards. Hollander is nice to him, but Larry wonders if he really remembers him.

40:10: Joe got a job in the garment district when he was 13 working for a friend of his father. Nora got a job at the same time, fell in love with the boss, Sol, because of his knowledge of Restoration poetry. Joe sees them making love.

42:40: Joe remembers 'the year of beatniks'[8] He would hang out at cafés, trying to be hip. He remembers listening to Lawrence Ferlinghetti and Ted Joans [9]. One night, at the Café Noir, a pimp sets him up with a 'housewife' from Morris county, New Jersey. They park next to the Staten Island ferry; she gropes him.

46:00: Joe remembers being 19, in Santa Barbara; he's borrowed his boss's car. He set the seat on fire by lighting a match to find some marijuana he'd hidden under it. He says it's the '60s.[10] The seat was destroyed; Joe replaced them with folding bridge chairs taped to the floor.

48:40: Kornfield tells about his teaching partner Joseph Goldstein.[11] He tells about Goldstein's mother visiting Goldstein in the monastery in India, how much she liked the simplicity of it. This leads into more slanging of grasping. He talks about the different kinds of giving. He quotes Epictetus, 'Never suppress a generous impulse.'

57:00: Larry tells of walking along the beach, thought of writing Karl Wallenda's, 'The wire is life; the rest is waiting.', on a piece of drift wood. As an actor, he's on-stage 2 hours at a time; the rest is waiting. Then he decided against it, that it'd be litter.

Legacy Synopsis


Music

Credits

'You've been listening to Joe Frank "The other side" created in collaboration with David Rapkin, with Larry Block, Buddhist teacher Jack Kornfield, and Joe Frank; edited by Scott Fritz; mixed by Bob Carlson'


Additional credits

Commentary

This is the only time I've heard of Ted JoansArthur Peabody (talk) 22:18, 11 January 2022 (EST)

Footnotes

  1. https://en.m.wikipedia.org/wiki/Donald_Margulies
  2. https://en.m.wikipedia.org/wiki/Sholem_Asch
  3. http://www.filmreference.com/film/55/Larry-Block.html has only this entry, 'Reb Eli, God of Vengeance, Adams Memorial Theater, Williamstown, MA, 2002', which was after 'The wire'. I figure it's incomplete.
  4. https://en.wikipedia.org/wiki/Amenia_(town)%2C_New_York
  5. Joe says the janitor, a gentile, had to help him because the Jews couldn't break the sabbath. I'm not Jewish, but I think this is wrong, that in matters that threaten death or serious injury the rule doesn't apply - so I've read.
  6. https://en.wikipedia.org/wiki/Lorin_Hollander
  7. Larry calls it a Gershwin symphony; it was his Concerto in F
  8. 1955? Joe says he was 16.
  9. https://en.wikipedia.org/wiki/Ted_Joans
  10. Joe was born in 1938, thus 19 in 1957/1958.
  11. https://en.wikipedia.org/wiki/Joseph_Goldstein_(writer)