The Wire: Difference between revisions
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48:40: Kornfield tells about his teaching partner [https://en.wikipedia.org/wiki/Joseph_Goldstein_(writer) Joseph Goldstein]. | 48:40: Kornfield tells about his teaching partner [https://en.wikipedia.org/wiki/Joseph_Goldstein_(writer) Joseph Goldstein]. | ||
He tells about Goldstein's mother visiting Goldstein in the monastery | He tells about Goldstein's mother visiting Goldstein in the [https://en.wikipedia.org/wiki/Bodh_Gaya Bodh Gaya] monastery | ||
in India, how much she liked the simplicity of it. This leads into | in India, how much she liked the simplicity of it. This leads into | ||
more slanging of grasping. He talks about the different kinds of | more slanging of grasping. He talks about the different kinds of |
Revision as of 13:14, 11 July 2024
Series | |
---|---|
The Other Side | |
Original Broadcast Date | |
March 26, 2000 | |
Cast | |
Larry Block, Jack Kornfield, Joe Frank | |
Format | |
Karma Style, 60 minutes | |
Preceded by: | Zen |
Followed by: | The Nature Of Things |
"I'm doing this play called 'God of Vengeance'."
The Wire is a program Joe Frank produced as part of the series The Other Side. It was originally broadcast on March 26, 2000.
Synopsis
Larry tells Joe he's in Seattle acting in God of Vengeance, a play written by Donald Margulies, an adaptation of Sholem Asch's play of the same name.[1] Larry summarizes the play.
7:10: Joe tells us his family used to summer-vacation in Amenia. The neighbors bred chinchillas. One died, they buried it, Joe's dog dug it up; his parents thought their dog had killed it, so they cleaned it up and put it back.
9:10: Joe remembers when he spilled auto battery acid onto his pants.
9:40: Joe tells stories of his childhood, which include his sister Naomi and his crude grandfather, including when the grandfather pushed a piano off the roof of the apartment building.
12:00: Joe remembers a bully holding his face against a subway grating. Later, Joe smacks the bully's trumpet into his teeth.
13:40: Joe remembers a dog stealing his sandwich.
14:10: Joe, 8, remembers a girl from a wealthy family visiting Joe at his home. She vomits when she sees Joe's father cutting up a bloody piece of stewing beef. The experience makes them closer.
16:30: Joe remembers attending junior congregation when he was 11 or 12. Because the cantor had such a powerful voice, it was said that it could break glass. Joe brought a window pane, broke it during his performance, cutting his hand.[2]
19:50: Joe tells of stealing a ribbon of magnesium from the science lab, to burn it in the park. They replace it with a beef lung to which they attach a duck call.
22:50: Jack Kornfield reads a poem of Rumi about a man with a jealous wife and beautiful maid servant, as an illustration of the difference between fear and love. He points out the problem grasping causes. He tells the story of the old Zen master and the thief.
30:20: Larry tells about Lorin Hollander; Larry claims he was a friend of Hollander's older sister, grew up in the same neighborhood. Hollander's playing a concert.[3] Larry attends, meets him afterwards. Hollander is nice to him, but Larry wonders if he really remembers him.[4]
40:10: Joe gets a job in the garment district when he's 13, working for a friend of his father. Nora got a job at the same time, fell in love with the boss, Sol, because of his knowledge of Restoration poetry.[5][6] Joe sees them making love.
42:40: Joe remembers 'the era of beatniks'[7] He would hang out at cafés, trying to be hip. He remembers listening to Lawrence Ferlinghetti and Ted Joans. One night, at the Café Wha?,[8] a pimp sets him up with a ‘housewife’ from Morris county, New Jersey. They park next to the Staten Island ferry; she gropes him.
46:00: Joe remembers being 19, in Santa Barbara; he's borrowed his boss's car. He set the seat on fire by lighting a match to find some marijuana he'd hidden under it. He says it's the '60s.[9] The seat was destroyed; Joe replaced it with folding bridge chairs taped to the floor.
48:40: Kornfield tells about his teaching partner Joseph Goldstein. He tells about Goldstein's mother visiting Goldstein in the Bodh Gaya monastery in India, how much she liked the simplicity of it. This leads into more slanging of grasping. He talks about the different kinds of giving. He quotes Epictetus, 'Never suppress a generous impulse.'
57:00: Larry tells of walking along the beach, thinks of writing Karl Wallenda's line ‘The wire is life; the rest is waiting’ on a piece of driftwood. As an actor, he's on-stage 2 hours at a time; the rest is waiting. Then he decides against it, that it'd be litter.
Music
- "Love Like a Fountain - Stereo MC's Mix" - Ian Brown (from Love Like a Fountain Remixes, 2000) | YouTube [6:47]
Additional credits
The original broadcast credits state: "[C]reated in collaboration with David Rapkin, with Larry Block, Buddhist teacher Jack Kornfield, and Joe Frank; edited by Scott Fritz; mixed by Bob Carlson.
Miscellany
- This program is also available on joefrank.com as Zen Two
Commentary
This show has 3 components: Larry's story of living in Seattle while acting in a new play; Joe's childhood reminiscences (some of which have to be fictional; I suspect they all are); Jack Kornfield with his usual shtick.Arthur Peabody (talk) 19:06, 12 January 2022 (EST)
Joe's story about breaking a pane of glass, at 16:30, includes a comment about Jewish law, which I think is incorrect. I'm no expert. I'd appreciate an opinion from a more knowledgable person.Arthur Peabody (talk) 19:06, 12 January 2022 (EST)
This is the only time I've heard of Ted Joans. Arthur Peabody (talk) 22:18, 11 January 2022 (EST)
I find this, along with Caged Heart, Larry Block's most-touching episodes.Arthur Peabody (talk) 13:04, 11 July 2024 (PDT)
Footnotes
- ↑ Film Reference page for Larry Block has only this entry, ‘Reb Eli, God of Vengeance, Adams Memorial Theater, Williamstown, MA, 2002’, which was after ‘The Wire’. I figure it's incomplete.
- ↑ Joe says the janitor, a gentile, had to help him because the Jews couldn't break the sabbath. I'm not Jewish, but I think this is wrong, that in matters that threaten death or serious injury the rule doesn't apply - so I've read.
- ↑ Larry calls it a Gershwin symphony; it was his Concerto in F
- ↑ Larry shifts his time frame in this story. He says he came back the next day to see Hollander, then he says he left before the third piece because of his disappointing meeting with him.
- ↑ Joe lists 'Suckling' as one of the Restoration poets Saul knew. Sir John Suckling lived 1609-1641, thus died before the Restoration
- ↑ Joe quotes a few lines from Pope's ‘Essay on man’ - ‘Why has not a man a microscopic eye?…’
- ↑ 1955? Joe says he was about 16.
- ↑ Joe says he was listening to Richie Havens playing music, which he didn't start doing until the '60s; he says he performed poetry in the Village in the '50s.
- ↑ Joe was born in 1938, thus 19 in 1957/1958.